20th Century Writers - Ecuadorian Literature

Piedad Larrea Borja

Piedad Larrea Borja (Quito, December 21, 1912 – Quito, June 2001) was an Ecuadorian writer, poet, philologist, and professor. As the first woman to join the Academia Ecuatoriana de la Lengua (Ecuadorian Academy of Language), where she served as secretary for many years, she played a significant role in Ecuadorian intellectual life. She earned a doctorate in Hispanic Philology from the University of Salamanca and later taught at the Universidad Central del Ecuador. Her literary works, which include essays, poetry, and linguistic studies, address themes of Ecuadorian identity, language, and social issues. In 1994, she was awarded the prestigious “Manuela Espejo” Prize by the Municipality of Quito, further cementing her legacy as a pioneering figure in Ecuadorian culture and education.

Ramiro Dávila Grijalva

Ramiro Dávila Grijalva (Quito, 1945) is an Ecuadorian poet and playwright known for his literary works that explore cultural and historical themes. He is the author of El Canto de las Sirenas (1982), a notable collection of poetry, and the play Tragedia de la Prisión y Muerte de Atahualpa (1988), which dramatizes the tragic fate of the Inca ruler Atahualpa. His other works include the play Leonor Yupangui, Esther de las Indias (2018), which is inspired by indigenous legends and history, as well as other plays like El Cóndor Enamorado and La Leyenda del Tío Lobo y el Sobrino Conejo. His poetry collections also include Historia de un Jilguero and Jugar Rayuela, Mi Voz y Otros Delirios (2007). Dávila Grijalva’s contributions have been recognized and preserved in various Ecuadorian libraries and cultural institutions.

Iván Petroff Rojas

Iván Petroff Rojas (Cuenca, 1956) is an Ecuadorian writer, poet, and educator known for his contributions to contemporary literature. A prominent figure in the “new Cuenca literature” movement of the 1980s, he has published a diverse body of work that includes poetry, short stories, and essays. His writings often explore themes such as mythology, magic, and music, with a focus on the depth of human experience. Notable works like En las formas del amor y la guerra (1989) and Fuego cruzado (2020) showcase his ability to blend cultural and social commentary with narrative art. Petroff Rojas has also been influential in the cultural scene of Cuenca, serving as the president of the Casa de la Cultura Núcleo del Azuay and teaching at the University of Cuenca. His dedication to literature and culture has made him a significant voice in Ecuadorian arts and letters.

Jorge Ismael Gandú

Jorge Ismael Gandú, pseudonym of José Miguel Granda Granda (Celica, Loja Province of Ecuador, 1904 – Medellin, Colombia, Unknown) was an Ecuadorian poet and songwriter, renowned primarily for his significant contributions to the pasillo genre, a type of Latin American music. While his literary endeavors culminated in the publication of the poetry collection “Hontanar” in 1937, a work dedicated to his mother, wife, and homeland, it was his role as a lyricist for numerous pasillo songs that truly cemented his fame. Gandú’s ability to weave emotional depth into his lyrics resonated with composers and audiences alike, leading to collaborations with notable musicians such as Nicasio Safadi, who set Gandú’s poem “De corazón a corazón” to music.

Gerardo Chiriboga

Gerardo Chiriboga (Riobamba, 1895 – Quito, 1966) was an Ecuadorian genealogist, journalist, and poet, known for his diverse contributions to the literary and historical fields. Among his literary works, “Minuto muerto, poemas” (1934) stands out as a compelling collection of poems. Additionally, he authored “Galápagos: El hombre, la tierra y el paisaje” (1948), a comprehensive exploration of the Galápagos Islands. This work is part of a significant body of literature that emerged post-World War II about the archipelago, following the departure of the American base. His literary efforts, including his recognized contributions to poetry in the anthology “Antología de poetas Riobambeños” (Anthology of Poets from Riobamba) (1963), further cement his place in Ecuador’s literary history.

Cristóbal Cevallos Larrea

Cristóbal Cevallos Larrea (1902-1978), holding a Doctorate in Law, was a multifaceted Ecuadorian intellectual, poet, writer, journalist, teacher, and jurist who had a significant influence on Ecuador’s cultural landscape. Cristóbal Cevallos Larrea demonstrated his dedication to cultural enrichment by leading the Chimborazo branch of the Casa de la Cultura in Riobamba, serving as a founding member in 1953 and later as its president in 1964, as well as heading the Ateneo del Chimborazo. In legal and educational spheres, Larrea held the positions of Minister and President of the National Court of Justice and taught Constitutional and Political Law and Civic Studies at the Colegio Nacional Maldonado in Riobamba for many years. Among his literary works, “La Gesta Amazónica” is renowned as an epic poem dedicated to the Amazon.

Gustavo Vallejo Larrea

Gustavo Vallejo Larrea (Riobamba, 1905 – Quito, 1961), a journalist, poet, legislator, and advocate for education, founded the “Campaña Nacional de Alfabetización” (National Literacy Campaign) in 1948. As president of the National Union of Journalists (UNP), he led this movement, significantly reducing illiteracy rates across Ecuador for 17 years. His dedication, fueled by the belief in education’s pivotal role in national development, propelled the campaign to isolated areas, urban suburbs, and even prisons. Additionally, Vallejo played a significant role in shaping the 1945 Ecuadorian Constitution, contributing to its clarity and the articulation of progressive principles. Vallejo’s legacy continues, with a school in Quito named in his honor and a bust in Riobamba.

Juan Félix Proaño Castillo

Dr. Juan Félix Proaño Castillo (Riobamba, July 20, 1850 – Quito, July 30, 1938) was an Ecuadorian priest, theologian, writer, educator, and political figure, whose extensive contributions spanned the late 19th and early 20th centuries, significantly shaping Ecuador’s cultural and religious landscape. Celebrated for founding “El Templo del Sagrado Corazón de Jesús” in 1892, a newspaper that integrated religious teachings with cultural and literary discourse, Proaño stood firm against the liberal reforms of his era. This conviction led to his exile, during which he persisted in his scholarly and pastoral work. His historical drama “Quisquís” is particularly notable for its portrayal of Incaic civilization, underscoring his commitment to chronicling and preserving Ecuador’s rich historical and cultural heritage.

Vicente Robalino

Dr. Vicente Robalino (Ibarra, 1960) is an Ecuadorian poet, essayist, and educator known for his extensive work in literature and academia. With advanced degrees from UNAM and PUCE, he has authored several books of poetry and essays, contributing significantly to Ecuador’s literary scene. As a professor at PUCE and a guest lecturer at Universidad Andina Simón Bolívar, Robalino has played a crucial role in shaping the appreciation and understanding of Latin American literature among students and peers.

Carlos Altamirano Sánchez

Carlos Altamirano Sánchez (Guayaquil, November 15, 1926) is an Ecuadorian poet and journalist, recognized for addressing social issues through his works, including “Hijo Imperfecto” and “Lamento de un Soñador.” His contributions have earned him accolades such as the Gold Medal in the Borja Lavayen Poetry Contest and a significant role in founding the Union of Ecuadorian Journalists, highlighting his impact on Ecuador’s cultural and literary spheres.

Enrique Terán

Enrique Terán Vaca (Quito, 1887 – 1941) was an influential Ecuadorian musician, writer, and political activist. He honed his musical skills at the Royal Academy of Music in London, which played a pivotal role in his artistic development. A key member of the Ecuadorian Socialist Party, Terán actively engaged in the political scene of early 20th-century Ecuador. His literary legacy, highlighted by his notable novel ‘El cojo Navarrete’, delves into the effects of the Liberal Revolution in Ecuador. Terán’s multifaceted talents profoundly impacted Ecuador’s cultural and political spheres.

Jaime E. Rodríguez O.

Jaime Edmundo Rodríguez Ordóñez (Guayaquil, April 12, 1940 – Los Angeles, USA, June 27, 2022) was a celebrated Ecuadorean-American professor, researcher, and historian. His work focused on the history of New Spain, Mexico, the Presidency of Quito, and the independence period in Hispanic America. Rodríguez Ordóñez’s notable contributions to historiography include his profound analysis of the impact of Spain’s Constitutional Monarchy and the independence movements in Latin America. His works, such as “Nosotros somos ahora los verdaderos españoles” and “The Forging of the Cosmic Race,” offer insightful reinterpretations of colonial Mexico and the emergence of Hispano-American identity. He held academic positions at prestigious institutions, including the University of California, Irvine, and was a member of the National Academy of History of Ecuador and the Mexican Academy of History. Rodríguez Ordóñez’s unique perspective on the interconnectedness of Hispanic America with global events during the Atlantic Revolutions significantly enriched the understanding of Latin American history and its complex journey towards independence and nation-building.

Efrén Avilés Pino

Efrén Avilés Pino (Guayaquil, February 26, 1947 – Ibidem, December 31, 2009) was a renowned Ecuadorian historian, writer, and university professor. Educated at the University of Guayaquil, he significantly contributed to Ecuador’s historical research, emphasizing the Province of Guayaquil’s role in national independence. His acclaimed works include the “Enciclopedia del Ecuador” and “Historia del Ecuador.” Also notable in the music industry, Avilés composed the anthem for Club Sport Emelec. A member of the National Academy of History, he resigned amid controversies over historical perspectives. Honored with the Merit of Commandeur in 2002, his legacy in Ecuadorian history and culture is enduring.

Linda Alexander Rodríguez

Linda Alexander Rodríguez (July 21, 1943) is an accomplished American historian and academic, recognized for her deep engagement with Latin American history, particularly focusing on its economic and military aspects. Born in Texas, Rodríguez earned her B.A. in Economics and History from the University of Texas, Austin in 1968, followed by a Master’s in Latin American Studies in 1972, and a Ph.D. in History from the University of California, Los Angeles. Her notable academic career includes serving as a professor at the University of California in Riverside (1976-1978) and at UCLA (1981-2003), where she also coordinated and later assisted in directing the Center for Latin American Studies. Rodríguez has made significant contributions to the understanding of Ecuador’s historical development, as evidenced in her works like “Rank and Privilege: The Military and Society in Latin America” and “The Search for Public Policy: Regional Politics and Government Finances in Ecuador, 1830–1940.” Her insights into the dynamics of the Ecuadorian Liberal Revolution and its fiscal policies have been particularly influential. A member of the National Academy of History of Ecuador since 2014, Rodríguez’s scholarly work continues to illuminate the complex interplay of politics and economics in Latin America.

Jenny Estrada

Jenny Estrada, or Jenny María Estrada Ruiz (Guayaquil, June 21, 1940 – February 9, 2024) was an eminent Ecuadorian writer, journalist, and historian. Her impactful career began at “El Universo” in 1968, where she was the first woman to serve as an editorialist, pioneering female representation in Ecuadorian journalism. Estrada’s work, deeply rooted in socio-political and cultural analysis, reflects her commitment to uncovering Ecuador’s diverse narratives, particularly the roles and challenges of women. Her notable literary contributions include “Las mujeres de Guayaquil, siglo XVI al XX” and “Matilde Hidalgo de Prócel, una mujer total,” which highlight women’s significant but often overlooked contributions to Ecuadorian history. Estrada’s dedication extends beyond writing; she was instrumental in founding the “Museo Municipal de la Música Popular Julio Jaramillo,” preserving Ecuador’s rich musical heritage. Her esteemed memberships in the National Academy of History of Ecuador and the Spanish Royal Academy of History, along with numerous cultural merit awards, mark her as a pivotal figure in shaping Ecuador’s cultural and historical consciousness. She worked as a columnist under the pseudonym María Ignacia.