Cristóbal Garcés Larrea (Guayaquil, April 20, 1924 – May 2017) was an Ecuadorian poet, editor, and literary critic. He was the editor-in-chief of Cuadernos del Guayas, the official magazine of the Guayas chapter of the House of Ecuadorian Culture, which was created by Carlos Zevallos Menéndez and whose prior editors-in-chief were Adalberto Ortiz and Francisco Pérez Febres Cordero (albeit for short periods). In 1944, he and Galo René Pérez, Jorge Enrique Adoum and Enrique Noboa Elizaga published the literary magazine Madrugada. In 1970, he released a book series that included stories by then-contemporary writers from certain Latin American countries or regions (which he compiled and edited), including: “Narradores Centroamericanos Contemporáneos,” “Narradores Cubanos Contemporáneos,” “Narradores Colombianos Contemporáneos,” and “Narradores Brasileños Contemporáneos.” He published several of his poems in magazines in Ecuador but a collection of his poems has never been published as a book. He worked for many years as a professor.
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Jorge Luis Pérez Armijos
Jorge Luis Pérez Armijos (Guayaquil, 1987) is an Ecuadorian, poet, essayist, editor, and translator. He has authored 4 poetry books, including “Rimas sin sarcasmos” (2012), “Primavera en invierno” (2014), “Lira bien temperada” (2016), and “Clases de catalán” (2018). His best known work is perhaps “Aquel que pudo ver lo Profundo” (2019), a poetic translation of the Epic of Gilgamesh. In 2020 he published, “La risa: Ensayo sobre el significado de lo cómico,” a French-to-Spanish annotated translation of “Le Rire. Essai sur la signification du comique” [Laughter: An Essay on the Meaning of the Comic], a collection of 3 essays by French philosopher Henri Bergson first published in 1900 in the French literary magazine Revue de Paris. He has also published a translation of Shakespeare’s Sonnets, entitled “Variaciones Shakespeare” (2017), and Shakespeare’s narrative poem, “Venus y Adonis” (2021).
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